Kudryavtseva Aleksandra | | “Faust” by Goethe in translation by I. J. Franko | Toichkina Aleksandra Vitаlevnа | Published | 2018 | |
Ianysheva Mariia | | “New Democracy” in the theory and political practice of the CPC, 1940 - 1953 | Novikov Boris Mikhаilovich | No consent for publication | 2019 | |
Kuznetsova Evgeniya | | “Small” media: The algorithm of popularity and the practice of "survival" in modern conditions. A comparative analysis of the resource “Bate, you are a transformer” and its foreign analogs | Gromova Tamara Mikhаilovnа | No consent for publication | 2019 | |
Komarova Alena | | “Why Did Shim Cheong Plunge into the Sea Twice?” by the South Korean playwright Oh Tae Suk (b. 1940): Approaching the play as a literary work | Gureva Anastasiia Аleksаndrovnа | No consent for publication | 2020 | |
Bondarev Aleksei | | «Guilty Pleasure» as a New Concept of Film Studies: Biographic Musical, Poetics of the Hybrid Film Genre | Dviniatina Zhamila Ruzmаmаtovnа | Published | 2022 | |
Shcherbinina Daria | | “Eurasian Women's Forum” as a way to promote gender equality in Russia | Dorskii Andrei Iurevich | No consent for publication | 2019 | |
Stroilov Nikita | | «Soft power» in the foreign policy of the Russian Federation: institutions, instruments, technologies | Baranov Nikolai Аlekseevich | Published | 2020 | |
Byrdina Anastasiia | | “Monumenta” Art Project at the Grand Palais: History, Context, Specifics of Curatorial Experience | Savitskii Stanislav Аnаtolevich | No consent for publication | 2022 | |
Shuliakovskaia Angelina | | 1812 in the Western governorates of the Russian Empire: Evidence from the "Acts…" of K.A. Voensky | Arzhakova Larisa Mikhаilovnа | No consent for publication | 2016 | |
Li Yafang | | “Humiliated and Insulted”: The problem of space | Bugаevа Liubov Dmitrievnа | Published | 2021 | |
Vinogradova Polina | | “Northern Romantic style” in the architecture of St.Petersburg as a phenomenon of self-identification of Petersburg culture | Stepаnov Аleksаndr Viktorovich | No consent for publication | 2022 | |
Chudinova Polina | | “Invisible Trauma” Experience in the Documentary Cinema | Radeev Artem Evgenevich | No consent for publication | 2023 | |
Valieva Gulnaz | | “The masks” of the new coronavirus infection | Komarova Aleksandra Ianovnа | Published | 2021 | |
Gamzatova Alina | | “Offensive word” in fiction, speech and legal practice | Sadova Tatiana Semenovnа | No consent for publication | 2021 | |
Polumestnaia Evgeniia | | «A Day in the Life of Kubo the Novelist» by Pak Taewon (1909–1986) in the context of culture and history | Tsoi Inna Vаleriаntovnа | Published | 2017 | |
Mishina Iuliia | | “The rings of Saturn” by W. Sebald: problems of poetics | Poluboiarinova Larisa Nikolаevnа | No consent for publication | 2019 | |
Makarov Leonid | | «Novyye ulichnyye»: Formal and Ideological Shifts in Russian Street Art on the example of one art Community | Chechot Ivan Dmitrievich | Published | 2022 | |
Polovneva Uliana | | «Abyss» as a Way to Comprehend Studio A24 Cinematography | Radeev Artem Evgenevich | No consent for publication | 2023 | |
Lankova Ekaterina | | «The Family Instructions of Master Yan» («Yanshi Jiaxun», the 6th century) as a regulator of patronymy in Imperial China | Mylnikova Iuliia Sergeevnа | Published | 2018 | |
Mikhailova Mariia | | «Open door» politics in German press | Tiurkin Mikhаil Viacheslаvovich | No consent for publication | 2019 | |